The short film has drawn the personal condition of the enigmatic foreigner, who seeks to adjust to the city’s everyday life by reimagining himself in places and experiences while the city is, in turn, recreated through his senses. He thus becomes a Baudelairian flâneur in a post-modern era; a lonely poet with an attentive eye walking aimlessly Beijing’s streets while producing aesthetic narratives of local details. As empiricist, his body has been grasped by the city’s contrasted liveliness before analysing and representing audio-visually what is personally experienced. Although the result is an artistic piece of work, each story has underlined research topics that are worth studying widely with the social and cultural contexts in which they are set. More broadly, the way the Chinese translator has rediscovered her culture and city through the images and texts developed by the foreign author, is the sort of cultural exchange expected to create bridges between different people. At last, an analogy could be made between the first contrasted impressions experienced by a Westerner living in Beijing to those of a Chinese person living in a Western city.